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The significant distinction that differentiates the Miami-style from other North American styles is the "Atras" or "Diagonal", back breaking actions carried out in reverse diagonally instead of moving forwards and in reverse as seen in the New York design. Professional dancers do not move their body weight substantially as seen in various other styles. Instead, dancers maintain their upper body still, poised and kicked back, concentrating on foot motion.


A major distinction in between Cali Design and Miami-style is the latter is exclusively danced on the downbeat (On1) and has aspects of sparkles and show-style included to it, complying with collections of North American styles. Miami-style has lots of adherents, particularly Cuban-Americans and various other Latinos based in South Florida.


A lot of the steps include rapidly swapping partners. "Rueda de Cuba" is initial type of Rueda, stemming from Cuba. It is not as official as Rueda de Miami and contains concerning 30 telephone calls. [] It was codified in the 1970s. [] "Rueda de Miami" come from in the 1980s from Miami, is a formal design with several regulations based on a mix, and is a hybridization of Rueda de Cuba & North American dancing designs, with some routines mirroring American society (e.


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Coca-Cola, Dedo, Adios) which is not located in the conventional Cuban-style Rueda. Cali-Style Salsa, also referred to as Colombian Salsa and Salsa Calea, is based around the Colombian City of Cali. Cali is likewise called the "Resources de la Salsa" (Salsa's Capital); due to salsa songs being the main style in events, nightclubs and events in the 21st century.


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The aspects of Cali-Style Salsa were strongly influenced by dancings to Caribbean rhythms which came before salsa, such as Pachanga and Boogaloo. Cali has the highest possible number of salsa schools and salsa groups on the planet. Most of the competitions are held in Colombia. The main feature is the footwork which has fast rapid steps and missing activities called "repique".


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They include various acrobats such as partnered turns to entertain with these jaw going down stunts. Their maneuvering is elaborate and precise, assisting a number of Colombian Style professional dancers win significant world championships. Cali hosts lots of yearly salsa occasions such as the Globe Salsa Cali Event and the Encuentro de Melomanos y Coleccionistas.


Scientists in the natural scientific researches researched the mathematics of salsa dance relocations. In the social sciences, scientists have researched salsa dancing to recognize, for example how the Latino identity is linked to salsa dancing.


Centro Journal. Retrieved 2023-05-26. Salsa Vida.




Salsa Vida. 26 June 2023. Gotten 5 October 2023.


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Salsa Vida. Moving Companies and Shakers Salsa & Bachata Dance Academy. Spinning Mambo Into Salsa.


Gotten 2019-06-26. Waxer, Lise Aerinne (2002 ). The city of musical memory: salsa, record grooves, and pop culture in Cali, Colombia. Music/culture. Middletown, Conn: Wesleyan University Press. ISBN 978-0-8195-6441-2. " Colombian Style Salsa". Salsa Vida SF. Retrieved 27 July 2020. von Renesse, Christine; Ecke, Volker (2011-03-01). " Mathematics and Salsa dancing". Journal of Mathematics and the Arts.


doi:10. 1080/17513472. 2010.491781. ISSN 1751-3472. S2CID 120939987. Dormani, Carmela Muzio (2020-07-07). " So You Think You Can Salsa: Doing Latinness on Truth Dance Television". The Journal of Pop Culture. 53 (3 ): 720738. doi:10. 1111/jpcu. 12929. ISSN 0022-3840. S2CID 225829802. Hewer, Paul; Hamilton, Kathy (2010-03-29). " On feelings and salsa: some thoughts on dance to reassess customers".


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9 (2 ): 113125. doi:10. 1002/cb. 308. Holmqvist, Jonas; Diaz Ruiz, Carlos; Pealoza, Lisa (2020-08-01). " Minutes of deluxe: Hedonic escapism as a luxury experience". Journal of Company Research Study. 116: 503513. doi:. ISSN 0148-2963. S2CID 211427257. Diaz Ruiz, Carlos A.; Penaloza, Lisa; Holmqvist, Jonas (2020-01-01). " Constructing tribes: An assemblage believing strategy to the characteristics of ephemerality within customer tribes".


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We're talking about the dance, not the scrumptious South American condiment. The beginnings of the word "Salsa" as the name of a dance has actually been a source of additional hints discussion for years. The most preferred (and possibly approved) theory is that Cuban and Puerto Rican musicians in New York created the phrase in New york city in the 1970's, to describe the spicy blend of music they were producing out of the rhythms and concepts of Cuban child montuno, guaracha, chachacha, mambo and bolero.

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